Michael Emmerich’s scholarly interests in Japanese literature range from the classical, court-centered prose and poetry of the Heian period to the popular printed fiction of the early modern age, and on from there to the prose fiction of modern and contemporary times. His book The Tale of Genji: Translation, Canonization, and World Literature (Columbia University Press, 2013) examines the role that translations of Genji monogatari (The Tale of Genji) into early-modern and modern Japanese, and into English and other languages, have played in creating images of the tale over the past two centuries—reinventing it as a classic of both national and world literature. In addition to his many publications in English and Japanese on early modern, modern, and contemporary Japanese literature, Emmerich is the author of more than a dozen book-length translations of works by writers such as Kawabata Yasunari, Yoshimoto Banana, Takahashi Gen’ichiro, Akasaka Mari, Yamada Taichi, Matsuura Rieko, Kawakami Hiromi, Furukawa Hideo, and Inoue Yasushi.